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Flux
1
Oil on Wood, unframed
SOLD
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Hybrid
4
Oil on Wood, unframed
SOLD
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Rob
Katkowski
Robert
Katkowski is fascinated with non-visible phenomena.
Being a visual artist, this may seem unusual, but
he finds that pictures have the potential to be more
expressive and informative than conventional language,
especially concerning these things unseen. For example,
Katkowski is interested in how natural forces sculpt
a mountain into what we recognize as a mountain. There
are certain forces at work all around us that we can't
sense. We have no sense of the earth continually shifting
under our feet due to plate tectonics or the earth
moving at high speeds through space. Katkowski thinks
it's amazing that such monumental forces are constantly
shaping our universe and we are not aware of them.
He believes that if you could see through the top
layer of reality, then some of these forces could
be perceived. Sometimes in his work, for example,
a recognizable landscape acts as a shell that crumbles
away to reveal what he imagines these forces to look
like. In other work, a rendered lake surface may lead
you underground into a cross section where your eye
travels through pockets of bizarre spaces.
Katkowski's work explores multiple spaces that exist
on the same picture place. Some canvases are split
up into different types of spaces, some have one space
circling, bending around, or invading another, while
other spaces open up to reveal hidden spaces. He tends
to use contrasting techniques to clarify or obscure
boundaries. Flat, two-dimensional shapes may overlap
rendered, traditional space or vice versa. Also, the
textural differences between impasto and thinly applied
transparent layers of paint and subtractive techniques
may delineate boundaries in interesting ways. A sky
painted in impasto may overlap a thinly painted transparent
landform at the horizon, or a scratched away line
may cut into an area of what might be seen as think
impasto foreground, pushing it back in space. It is
through the dynamic process of painting that Katkowski's
ideas take form and become most expressive.
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