Untitled 1
acrylic on canvas

Untitled 2
acrylic on canvas

Toby Kreidler

While looking at photographs of distant space along side of photographs taken through microscopes of cells and other tiny objects, Kreidler was struck by how often they looked nearly the same. The repeating patterns occurred on such wildly different scales and without a context, he couldn't be sure if he was looking in or looking out. Kreidler tries to make paintings that fit into this scheme, that make people question from what perspective they are looking. They are an effort to make a space where the question of from where are we looking is irrelevant.

Kreidler sees the universe as endless variation on a single theme. The interesting thing is how the different variants meet and interact. He is entranced by how things come together to make the whole, so that the parts themselves seem to become irrelevant, but then when you stop and look at each of the parts you realize that they are what the whole thing is really about.

"Life is like standing on an Oriental rung that fills the entire room. You can move all around and look at the different pieces of the rug, but what you can never do is see the whole rug at once." Perspective determines experience and the meaning prescribed to it.
Kreidler thinks of each dot as a word, and each word can be any word that he wants: or all the same word, or just word. Kreidler thinks of each dot as a person. Or atoms. Or thoughts. Or obsession - just thousands of dots on a canvas. It's all the same thing, what Kreidler means not ever really being what he is saying. What he sees not ever being really exactly what's there.

Kreidler's response is his paintings, less concerned with communicating. If he succeeds, one can imagine that context, content, critical frameworks & strategies as well as social configurations become obsolete. Effect and affect rather unimportant. Choreography is intellectually beautiful, but the child getting up and moving to the music as he feels it is what Kreidler wants to mimic in his dancing.

We are most attracted to that which seems unspeakable. We love rain. We stand next to ourselves on our pages and canvases. We pretend. We play games.

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